MAESTRO FORRÓ -A Man and his Orchestra /DEMO

Título: MAESTRO FORRÓ -A Man and his Orchestra /DEMO

Autor: edgararruda

Categoria: Música

Descrição: DOCUMENTARY SYNOPSIS The documentary one is on the musical materials and languages. His it practices in the urban and rural communities. The documentary one is an education on the sonorous system, the perception and its implications in our perception espacio/tiempo. Through concepts and diverse musical techniques the Teacher Covered and the Givanildo Teacher, altogether with orchestra OPBH and Choir OVBH, exemplifies and describes the existing relations between the musical language, its perception, and the dynamic ones of the individual and collective human relations. The description of the musical material in parallel to the human perception: the fifth hidden ones, the eighth resultants, the parallel movements of the voices, etc., in counterpoint with the human behavior and its relations with the surroundings. The harmony that is. The feelings of the sound and the sounds of the feelings. The sounds are not vehicles for music. Music is the vehicle for the sound. Love comes from "Armoni'a"-forces in Maxima tension coexisting (Shoënberg). How through music are harmonized the human relations? How music interacts in a reality changing destinies in areas of social risk in Recife, Brazil? The music tries the social processes as soon as element that occurred, that occurs, that will occur or that must have occurred. The documentary one is divided in: Sonorous elements - musical Objects the intention and the gesture -- Dialogues. Melodía = consecutive Sounds, the line of the one contour melodía Harmony = simultaneous Sounds, perspective Rate = the dialogue with the pulse Sound = Timbres, color, plots, texture Growth = Formas, harmonies of the styles. Sound, noise and silence - the contemporary world repetitive Modal - music based on the ways Greek or the other Pitch - three-dimensional music Serial - sonorous experiments of century XX. The description of these elements through orchestra OPBH makes of this documentary experiment an adventure of the perception of the sounds and of the objective reality in a world that it changes quickly and it speaks of the possibilities of the harmonization in atmospheres and adverse situations to us. Script Opening - Ext. Day. Landscape. Music in "crescendo". A bus in the highway. Flat music in 1º. Within the bus the music goes Orchestra OPBH touching that was in the beginning in off. The orchestra touches PPP and the teacher Covered begins to speak on the nature of the sound. Dopler Effect. Laboratory of physics of the university. t was the Sound in the beginning. The nature of the sound - The physics - acoustic psychology. Signal of the wave. Sound and silence. Impulse and rest. The wave. The symbol of the Yin and Yang. Symbol $. Regularity and pulse. The sinusoidal sound. Durations and altitudes. Intensity-dynamic The sonorous frequencies appear in two great dimensions: Rythmical durations and melódicas heights. Acceleration of the rythmical frequencies. The jump of the rate to melodía and the harmony = 10 cycles per second. The harmonic series: The natural scale The scales and the cultures. The synthetic scales. The pentatónica scale like the only common scale to all the cultures. Intervals. Sound and noise. To sing altogether, to find the intervals musical that they speak as soon as language, to sharpen the voices means to enter a deep and nonvisible agreement ritually on the privacy of the matter, producing, against all the noise of the world, a constant sound (an only musical sound sharpened diminuye the degree of uncertainty in the universe, because insemina in him an order principle). JMW

Duração: 14:45

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